Photography as preservation
A quiet practice rooted in memory, place, and responsibility.
My work focuses on historic architecture, interiors, and landscapes shaped by time and human presence. I photograph spaces not as they are staged or restored, but as they exist — marked by light, wear, and memory.
Through this approach, photography becomes a form of preservation: a way to honor buildings, places, and environments that reflect cultural identity and quiet endurance.
This same attention to presence and memory extends beyond architecture and into the land itself.
The Land Still Watches
Extending the idea of preservation from structures to the land itself.
I cannot always be there,
but the land continues.Small solar-powered cameras observe what passes through —
hoofprints, shadows, wind, thirst, return.What began as protection became attention.
What once felt like distance became connection.The photographer is not always behind the camera,
but remains behind the act of seeing.My imagery and writing have appeared in both local and national publications, including work documenting the city where I grew up and voices from small towns and historic architecture. These projects extend the practice of preservation and storytelling beyond my own portfolio.
At its core, my work begins with attention —
and a responsibility to what remains.